Mathematics, in pictures.

Some mathematical ideas are hard because they are genuinely hard. Others are hard only because nobody drew them properly. This is a collection of essays about the second kind — one idea at a time, illustrated to the point where the argument becomes visible.

Pascal's triangle mod 2, 32 rows. Only the odd entries are drawn; the pattern that appears is the Sierpiński triangle. — Fig. 1 Pascal’s triangle with the odd numbers shaded and the even ones left blank. Nothing here was designed to make a pattern; the pattern is a consequence of the arithmetic. See Pascal’s triangle, two colours.

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20 essays, 3 September 2026 — everything that has been added, in order

The two supplements, and the residue classes that decide them. A table of odd primes with the Legendre symbols of minus one and two beside the residue of p modulo four and modulo eight.

Number

The two supplements, and where the eight comes from

The main law relates two odd primes to each other and says nothing about −1 or about 2. Those two are settled separately, by their own counts, and the answers arrive modulo four and modulo eight — which is a clue about where the whole subject is really taking place.

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Multiplication by 3 modulo 11, and the sign of the shuffle. Residues in two rows joined by strings showing where multiplication sends each one, with a strip beneath comparing the sign of the shuffle to the Legendre symbol for every multiplier.

Number

The symbol is the sign of a shuffle

Multiplying every residue modulo p by a fixed number rearranges them. That rearrangement is a permutation, permutations have a sign, and the sign is exactly the Legendre symbol — so a question about squares becomes a question about crossings.

6 figures

The Gauss sum for 13, added one root at a time. Partial sums of the p-th roots of unity signed by the Legendre symbol, drawn as a walk closing on a point at distance root p from the origin.

Number

One sum, squared two ways

Add the p-th roots of unity, each taken with a plus or a minus according to whether its index is a square. The walk that results closes on a point at distance √p from the origin — and squaring that one number, evaluated two different ways, is the reciprocity law.

6 figures

Where a congruence decides which primes a form represents, and where it does not. Rows of primes marked by whether each is represented by x squared plus n y squared, with the residue classes that decide it where such classes exist.

Number

Which primes a form takes

A prime is the sum of two squares exactly when it is 1 modulo 4. Change the form slightly, to x² + 27y², and no congruence on p decides it at all — which is where the elementary subject ends and its successor begins.

5 figures

A rotation of four-space, and the two angles it turns through. The four by four matrix of the map sending x to p x conjugate q, beside two dials showing the angle it turns through in each of its two invariant planes.

Algebra

A rotation of four-space takes two of them

One unit quaternion, conjugating, turns three-space about an axis. Two of them, multiplying from the left and the right, turn four-space — and a rotation of four-space has no axis at all, but two independent angles and two planes it spins in.

6 figures

The four-square identity, and how few squares a number needs. A product of two whole quaternions with both sides of the four-square identity evaluated, above a strip colouring every number by the fewest squares that add to it.

Algebra

The identity that multiplies sums of squares

A sum of two squares times a sum of two squares is a sum of two squares, and the same is true of four and of eight. It is true of three of nothing: 3 and 5 are each a sum of three squares, 15 is not, and one small pair of numbers rules the case out forever.

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Eight of 325 essays — the whole collection is a click away, or search it.

The Pythagorean theorem by dissection. Two squares of the same size. Each holds four copies of one right triangle. The space left over is a single tilted square on the left and two upright squares on the right.

Geometry

Two squares, four triangles, and no algebra

The Pythagorean theorem is usually met as a formula to be memorised. It is much better met as a rearrangement that can be checked by eye.

7 figures

Odd numbers as square shells. Nested L-shaped shells of 1, 3, 5 … 11 cells stack into a 6 by 6 square.

Geometry

Every square is a stack of odd numbers

Add up the odd numbers in order and the running totals are 1, 4, 9, 16, 25. This is not a coincidence, and the reason fits in a single picture.

7 figures

Euclid's algorithm on a 34 by 13 rectangle. The rectangle is tiled by peeling off the largest square that fits, again and again, until nothing is left.

Geometry

The oldest algorithm, drawn as a tiling

Euclid's method for finding a greatest common divisor is usually presented as a loop. It is also a way of tiling a rectangle with squares, and the tiling explains why it works.

7 figures

The five Platonic solids. Tetrahedron, cube, octahedron, dodecahedron and icosahedron, drawn at a common scale.

Geometry

Why the list of perfect solids stops at five

There are infinitely many regular polygons and exactly five regular solids. The reason is not deep, but it is very sharp, and it can be checked on a single row of corners.

8 figures

Four conic sections from one cone. Circle, ellipse, parabola and hyperbola, produced by tilting a single cutting plane further and further.

Geometry

One cone, four curves

The circle, the ellipse, the parabola and the hyperbola look like four separate objects with four separate equations. They are one object, cut at four angles.

6 figures

A circle unrolled into a sine wave. On the left a radius turns through an angle; on the right the height of its tip is plotted against the angle, tracing a sine curve.

Analysis

A sine wave is a circle seen from the side

Sine is introduced as a ratio in a right triangle, which is true and explains nothing about why its graph is a wave. There is a better picture.

7 figures

8 rectangles under a curve. A left-endpoint Riemann sum with 8 rectangles approximating the area under a curve.

Analysis

Adding up rectangles until they stop being rectangles

The integral is defined as a limit of sums of rectangles. The definition is exact, the picture is honest about what it costs, and the gap between them is the whole subject.

7 figures

Partial sums of the square wave. Approximations using 1, 3, 7, 21 terms; the corners sharpen but a fixed overshoot remains.

Analysis

A square wave built entirely out of round ones

Add enough sine waves together and flat tops and vertical cliffs appear from nothing. Almost — there is a 9% overshoot that never goes away, and it is not a bug.

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