Conic — where it appears
Named by 13 essays across 4 fields — each of them below, with the objects they name alongside it.
One cone, four curves
The circle, the ellipse, the parabola and the hyperbola look like four separate objects with four separate equations. They are one object, cut at four angles.
Every triple, on one circle
Draw a line of rational slope through a single point of a circle. Wherever it comes out is a rational point, and clearing the denominators turns it into a Pythagorean triple — so every triple there is comes from one line through one point.
Every ray comes back to the other focus
An ellipse has two foci and one property everybody remembers: the distances to them add to a constant. What that property forces is stranger and more useful — a mirror shaped like an ellipse sends every ray leaving one focus, in every direction, through the other.
A room that cannot be lit
Mirror the walls of a room and put a lamp inside it. Every point should be lit, since light bounces forever — and there are rooms with a dark spot no ray from the lamp ever reaches.
Aimed at one focus, turned towards the other
An ellipse sends every ray leaving one focus through the other. A hyperbola does something that sounds like the same sentence and is not — it takes a ray aimed at the far focus and turns it towards the near one, which is what the second mirror of a telescope is for.
Two families that cross at right angles
Fix two points and draw every ellipse with those foci, then every hyperbola with the same two. Each curve of the first family meets each of the second at a right angle, so between them they are a coordinate system — and the reason is one sentence about angle bisectors.
One sign decides which curve
The general quadratic in two variables has six coefficients and draws a conic. Which of the four it draws is settled by a single combination of three of them, and the other three cannot change the answer however they are chosen.
Six points on a conic, and the line they share
Put six points on an ellipse, join them into a hexagon, and extend each pair of opposite sides until they meet. The three meeting points always lie on one straight line. The statement uses no length, no angle and no focus — which is why it holds for every conic at once, and why a straightedge alone can draw the curve through any five points.
Equal diagonals in a curved quadrilateral
Two ellipses and two hyperbolas sharing the same foci cut out a four-sided region with curved sides and no symmetry to speak of. Its two diagonals are nevertheless exactly equal. The reason is a stretch that carries one ellipse onto the other and moves every pair of points so that crossed distances match — a property only confocal curves have.
The curve that no three points in line define
In a finite plane, take as many points as possible with no three on a line. In odd order the largest such sets have one more point than the order — and every one of them, searched exhaustively in the small planes and proved by Segre for all odd orders, is a conic. In even order every tangent meets at one point, which can be added, and the curves stop being forced.
Every point has a partner across the bisectors
Draw the three lines from the corners of a triangle through any point, reflect each in the bisector of its own angle, and the three reflections meet again. The pairing this makes swaps the centroid with the symmedian point and the orthocentre with the circumcentre, bends every straight line into a conic through the corners, and sends the circumcircle to infinity.
Every power of x that draws a hyperoval
In a plane of order 2^h, the graph of x^k plus two points at infinity is sometimes a hyperoval — as many points as a plane allows with no three in line. Searching every exponent in every plane from order 4 to 4096 finds hundreds that work, and once six symmetries of the problem are applied they fall into exactly the families already known: the conic, the translation curves, Segre's x⁶ and Glynn's two. Whether that list is complete in every order is open.
Wings that cut a chord equally
Take a chord of a circle and its midpoint. Draw any two more chords through the midpoint, join their ends crosswise, and the two crossing lines — the butterfly's wings — cut the first chord at equal distances from the middle. The proof is the inscribed angle and the power of a point working together; move the point off the middle and what survives is a law about reciprocals; replace the circle by any conic and the theorem does not notice.
Named alongside it
The objects these essays reach for when they reach for this one.
EllipseFocusHyperbolaReflectionTangencyParabolaProjectionCoordinatesDandelin spheresDegenerate conicDiscriminantEccentricity